00:01:35:53 - 00:01:40:26 I think it's so important to remember and to remind people that 00:01:40:26 - 00:01:47:33 this vastness, this peace, this beauty—this is the reality of most of the borderlands. 00:01:47:33 - 00:01:55:38 Our 2,000 mile long border is full of wilderness areas, wildlife refuges, national park units. 00:01:56:17 - 00:02:04:24 The majority of our border are scenes like this: of peace, and serenity, and nature. 00:02:05:41 - 00:02:10:49 And we still hear, day after day, from people like Governor Ducey here in Arizona 00:02:10:49 - 00:02:18:45 that there is some sort of massive surge, some sort of crisis, with people pouring into our 00:02:18:45 - 00:02:21:44 country at every possible gap in the border wall. 00:02:23:19 - 00:02:28:24 But that's just not true. And this right here—this peace, this serenity— 00:02:28:24 - 00:02:33:13 this is the reality of most of our beautiful border region. 00:03:04:07 - 00:03:09:29 Being the presence of the wall stirs feelings of being in front of Stanley Kubrick's obelisk 00:03:09:29 - 00:03:16:45 in 2001: A Space Odyssey. It is eerie in a similar way that Mark Fisher defined it. 00:03:53:32 - 00:03:59:37 The contrast between a brand-new megastructure and a desert devoid of human beings 00:03:59:37 - 00:04:03:32 makes it difficult not to trod out science fiction tropes. 00:04:04:28 - 00:04:10:55 There's a presence in that wall. A presence that feels supernatural, or otherworldly. 00:04:15:48 - 00:04:21:44 The reason the wall stands in such terrible, uncanny magnificence is not because there 00:04:21:44 - 00:04:25:04 exists a landscape devoid of humanity. 00:04:25:04 - 00:04:31:20 But rather, all around this twisting auburn structure of vertical steel, there exists the 00:04:31:20 - 00:04:34:19 biodiverse vitality of the desert. 00:04:41:39 - 00:04:47:53 The wall is eerie because there is an abundance of life that surges all around it. 00:04:48:27 - 00:04:50:40 People are there. 00:04:50:43 - 00:04:55:56 They just exist in smaller numbers. They are less seen. 00:04:59:23 - 00:05:04:30 But you can find their traces—their memories—if you look hard enough. 00:05:17:24 - 00:05:22:08 This liveliness is anathema to the anesthetized megastructure 00:05:22:08 - 00:05:25:43 and it attempts to render these vital landscapes into something 00:05:25:43 - 00:05:29:36 inert, nondescript, and all-encompassing. 00:05:34:17 - 00:05:39:19 The wall is an attempt at plastering over—and making homogeneous— 00:05:39:19 - 00:05:42:18 a place that is so obviously its opposite. 00:05:51:24 - 00:05:58:21 It is attempting to make generic a landscape that is filled with such undeniable vivacity. 00:06:03:58 - 00:06:11:45 The wall is a deliberate, concrete manifestation of a reactionary futurist abstraction. 00:06:16:02 - 00:06:23:28 Through violent, authoritarian intentionality, the wall has erupted as a tangible signifier 00:06:23:28 - 00:06:28:51 for an otherwise historically transient sociopolitical demarcation. 00:06:42:33 - 00:06:47:45 It's stunning how much damage has been inflected over these last four years 00:06:47:45 - 00:06:51:38 on this beloved and irreplaceable region. 00:06:51:38 - 00:06:56:31 Wounds have been opened that will take centuries—literally—to heal. 00:06:57:45 - 00:07:04:25 But, that can't stop us from fighting for justice, for doing what is right, 00:07:04:25 - 00:07:10:04 and for giving our all to protect the land—this beautiful, spectacular land— 00:07:10:04 - 00:07:17:38 that nourishes all of us, that feeds our souls, that literally keeps us alive. 00:07:29:16 - 00:07:36:31 And we are going to do everything, everything in our power to make sure that this wall 00:07:36:31 - 00:07:43:17 of death—these steel slats—that kill wildlife, cut off migration corridors, 00:07:43:17 - 00:07:46:27 do not go in the ground.