We will invade your beach !!

The legend told that colonial Brazil, nature, indigenous and agraph jumped into the world of ideas written with the Jesuit Jose de Anchieta writing a poetic piece on a beautiful Brazilian beach of the sixteenth century. It was a poem of praise to the Virgin Mary.

In the style of Anchieta, the lenses of Joeser Álvarez and Ariana Boaventura turn to the bucolic sands of the Brazilian coast to write, rather than a praise to the mother of God made man, the pulsating narrative of a panoramic and dialectical treatise on the great themes. oscillating Foucaut's pendulum between hope and the deconstruction provoked by reactionary political ufanism, placing the cinephile approach as deliberate and forceful accusatory libel of the mirages and fallacies of inscriptions that pervade the beach of the Tupiniquim dream for better days for all and all. !

A cinematic discourse that seems more like the incessant balance of Pororoca de Utopia, building dreams and ideals, and of Dystopia, destroying themes and social projections so much demanded by the Brazilian people.

The tension between the two contradictory vectors, in the heat of the reddish waters like the gushing blood of the indigenous peoples, for a few seconds creates in us a feeling that - sorry for the optimists - this nation is bogged down to the last hair in a circumstantial and dramatic billiards ... the movement of life and death of social themes in the trajectory of a civilization that the Lusitanians built here as if the national history were a great mistake of Portuguese, not grammatical.

In the bulge of the single-planner bathing-place, the battle between the lights of contemporary enlightenment and the medieval darkness of the present liquid moment, with a most creative portrayal of the struggle of the opposites in a scenario whose landscape itself embodies the very embodiment of dialectic, which is the coming and going of the rough waters over the sand of the beach.

Before the eruption of lightning and lightning that explodes in the symbolic horizon of history, configuring the possibility of having no future on this beach of the provinces of Rio Negro, Grão-Pará and Maranhão, there are the footprints left on the pact soil, by the sea, where It all began in 1500, perhaps symbolizing that there is no ready and finished path for the walker, and that, without fear of being happy, the Brazilian people will have to build their own path while walking!

José de Anchieta's inscriptions have been deleted by the waters of the sea. The inscriptions made at Praia do Futuro are indelible and immune to the corrosion of time, I believe, since they are imprinted on the hearts and minds of all those who do not lose the right to dream another impossible dream! The future is for yesterday !!! We will invade your beach !!

Antonio Serpa Amaral Filho 
Movie Critic